Options exist to warn that a file's working space will be converted, or that an unprofiled file will be assigned the current working space's profile. Prior to opening the file, from Edit>Preferences (Colour option), check the Convert opened files to working space option.Prior to opening the file, from Affinity Publisher>Preferences (Colour option), check the Convert opened files to working space option.To convert the colour space of file to be opened to the current working space: As you create a new document, select an option from the Colour Profile pop-up menu.To select a new document's colour profile: The chosen profile will be used as the current working space and will be offered when creating new documents, or will be used if you choose to convert an opened file's colour space (discarding its own colour profile). Choose a Rendering intent option and check Black Point compensation.From Affinity Publisher>Preferences (Colour option), select an RGB, CMYK, Greyscale or LAB colour profile from the pop-up menus.To select default global colour profiles: Most commercial printers will accept sRGB as they'll be able to do their own profiling at the print stage to get the best results for your work.įor the CMYK colour model, it's best to consult your print partner for an appropriate CMYK colour profile recommendation. Assigning colour profilesĪffinity Publisher lets you choose global default colour profiles, assign a colour profile as you create a document, or at any point during your session. Alternatively, the exported file can be unprofiled by not embedding the document or named profile. On export, you can choose to embed the document's or a named colour profile to ensure accurate colour management. When placing images into an existing document, the image's embedded colour profile will always be converted to the document's current working space. You have the option to convert it to the current working colour space. In Affinity Publisher, an opened file's colour profile is honoured by default.
#HOW TO SET RGB COLOR IN ISTUDIO PUBLISHER HOW TO#
To ensure that the colour looks the same on each device, we use colour profiles to tell the device how to display or render the colour information.ĭocuments with the correct profile for a calibrated device should closely match. As not all devices can display the same colour gamut it can lead to colours looking different on each device.ĭocuments without colour profiles (or with unsupported colour profiles) may not look the same across each device. When we share these documents between devices, the device has to work out how to display the colour. The colour and tonal information in a digital document is stored as numbers.